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Posted by Athena Scalzi

To some people, sitting at a table with several unfamiliar faces and being expected to make small talk is a nightmare scenario. The anxiety creeps in of what to say, which topics to discuss (or avoid), and if you’re going to be judged for ordering an appetizer and dessert.

Such was the situation I found myself in last night after I signed up for Timeleft, a company with the goal to help you make meaningful connections with peers from your city.

I had never heard of Timeleft before, but two weeks ago I got an ad for them on Instagram. I won’t lie, the idea of dining with complete strangers was immediately interesting to me, as I love meeting new people, getting to know others, and making friends. What are strangers but friends you have yet to meet? So I went to their website and checked it out.

To my surprise, Timeleft is available all over the world. Sixty different countries and three hundred cities, including Cincinnati, Columbus, and Cleveland. I was delighted to see that I really had my pick of Ohio cities, though I would love for Dayton to be on that list. Cleveland is a bit too far, but Cincinnati and Columbus are both about two hours, so I ended up picking Columbus as my city because I prefer the driving, parking, and dining scene over Cincinnati.

First, you take a personality test to determine who else should be at the table with you. Timeleft asks things like what field you work in, what kind of movies you like, if you’re married or have kids, if you like to talk about politics, if you’re a planner or more spontaneous, basically just some standard questions to see who you would, on paper, be compatible with.

After you take the test, Timeleft pairs you with five strangers to have dinner with, and the restaurant is a mystery to everyone until the day of the dinner. One thing I thought was really cool is that you can choose different levels of budgets for your dining experience. There’s $, $$, and $$$. Obviously I picked $$$, because if I’m going to drive to Columbus for dinner, I want to eat somewhere nice (also, I’m just bougie, so). You can also mention any dietary restrictions you have, as well.

Timeleft books the restaurant reservation for you all, and you just show up to the restaurant, meet your dining companions, and spend the next couple hours getting to know each other and sharing a meal together. Not sure what to say? Timeleft actually provides ice breaker games and questions to get the ball rolling.

After the dinner is done, every Timeleft group in the city is invited to an Afterparty. Timeleft chooses a bar for everyone to meet at to have a drink to close out the night. Once you’ve finished the evening, Timeleft asks you who you’d like to keep in contact with, and if you match you can message each other through the app. (Or you can just exchange contact info right then and there if you want. That’s pretty much what ended up happening for me, anyway.)

So that’s how it works! Pretty simple, and very stress-free since they pick and book everything for you! It was nice to have the reservation handled, and just have to show up.

Timeleft isn’t a dating site, it’s meant for platonic connections and people seeking friends in their city. It’s meant for screen-free conversations and connections with people you wouldn’t have normally met otherwise. I think it’s a really cool concept, and I was super excited to try it out.

So let’s talk about how it went.

The initial ad that I got for Timeleft was them rolling out their new Ladies Only dinner. This was what I tried to sign up for, as I have really been wanting more gal pals lately. Not that I am opposed to befriending men, obviously, but as I get older, I’ve started to really want more genuine female companionship. And not that I don’t already have some super close girlfriends currently, because I definitely do and I’m super grateful for them and our friendship, but who couldn’t use one or two more, right?

Anyways, I couldn’t figure out how to sign up for the Ladies Only one, despite clicking on the ad that was advertising them. I figured I might as well just sign up for a regular one.

I ended up dining at Z Cucina di Spirito in Dublin with four guys. There was supposed to be another girl, but she actually ended up no-showing.

In my group, our ages ranged from 25 to 32, and everyone except me lived in the Columbus area. There was one other person whose first time it was, but the other group members had done a couple of these before, and two of them had even dined with each other in a previous dinner. Between the five of us, our professions were all over the place, as well as our tastes in music, though we did seem to agree on some favorite colors. We talked about travel, movies, concerts, places previously lived, and some bad dates.

While this post isn’t meant to be a restaurant review of Z Cucina, I will say I did like it. The atmosphere was nice, it was a very pretty place, and the food and drinks were quite good. I was the only person to order an appetizer (I did share, because I think food is best enjoyed that way), but everyone did order dessert, so that’s a green flag in my eyes.

I got two cocktails; a Basil-Gin Smash and an Empress, and both were really nice. The bread for the table came with this super yummy red sauce that was surprisingly flavorful. My main was their Bucatini Al Nero Di Seppia, which was squid ink pasta with mussels, clams, shrimp, and scallops, and that was so good. I thought the shrimp and scallops were really excellent, and I’m happy I finally got to try squid ink pasta! I’ve wanted to for so long. Plus, the tiramisu was a huge slice, and I have no complaints about it.

I would say the thing I was the least impressed with was the appetizer. I ordered the Stuffed Risotto Fritters and they were fine but nothing amazing. I will say they were piping hot, though, and it came with four of them.

So, all in all, I really liked the dining location Timeleft picked, and I think they did a good job with my budget choice. Since it was Wednesday, the restaurant was not crowded at all. There was really only a few other people, so it was nice that it wasn’t too loud and no one in my group had to shout across the table.

We all decided to go to the second location, The Pint House in the Short North. My group only ended up finding one other Timeleft group, which was a really friendly group of older ladies and gents. One of them had thirteen grandkids! It was really cool to see that Timeleft isn’t just for young whippersnappers, it’s seriously for anyone and everyone, and proof that you can find people your age and with your interests that also want to make friends! It just felt really wholesome.

I felt really comfortable the whole time, I wasn’t worried about anyone being a weirdo, and we all exchanged numbers at the end. It was so nice to meet people that I would’ve never come across without Timeleft, and it’s honestly just awesome to see how many other people out there are looking to go and meet new people and make friends.

All in all, I really liked dining and talking with everyone I met, and I can’t wait to attend another Timeleft dinner.

Would you give Timeleft a try? Does the idea of dining with strangers scare you, or does it sound super exciting and fun? Let me know in the comments, and have a great day!

-AMS

The Big Idea: L. D. Colter

Sep. 25th, 2025 06:30 pm
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Posted by Athena Scalzi

The retelling of myths is a tradition practically as old as the myths themselves. Author L. D. Colter has implemented some Greek mythology to help write her newest novel, While the Gods Sleep. Follow along in her Big Idea to see how a lifelong interest in any and all types of myths led to writing tales of her own.

L. D. COLTER:

I remember sitting on the floor of the library at my school (a junior high and high school combined and small enough that my graduating class had twenty-five seniors), pouring over a translation of the Bhagavad-Gita. This would have been about the same time I asked a friend’s neighbor if I could learn some Hindi from her. I remember researching the Buddha after reading Siddhartha by Hermann Hesse and looking up bits of translation of the Qur’an. I searched, pre-internet, for anything I could find on Asian and African myths and their ancient gods, though I found little. Same with Norse mythology—astoundingly hard for me to find until this millennium (but, ah, had I only discovered the rich fantasy worlds of the right comic books back then…).

Years before all this, as a child, a favorite book of mine was a tall, beautifully illustrated book of Russian folklore, given as a gift by my aunt. I still have that book today. Also sprinkled across those years was my fascination with old stories from the British Isles and all things fae: the Arthurian tales, Tristan and Iseult, the Ballad of Tam Lin (and the tale of Thomas the Rhymer, thought possibly to be the same character in tales told centuries apart). Lastly, of course, have been my decades of reading fantasy books of all stripes, especially ones with themes of myths or pantheons or faerie or folklore.

Standing out strongly across these years, though, has been my love of Greek mythology. I checked out copies of The Odyssey and The Iliad from the city library to read over summer break in high school and read and re-read my copy of Bulfinch’s The Age of Myth until I rubbed the gold lettering from the fabric cover. (Seriously. I still have that book as well, and the cover and spine are plain brown.) I bought tickets to myth-based movies—the good and the bad—and sought out novels with retellings and reimaginings of Greek myth.

Armed with this lifelong love of tales from around the world I wrote my first novel, an epic fantasy with my own version of the Celtic Seelie and Unseelie and—in my imagined secondary world—the gods who had abandoned them. It was rewritten many times as I learned the art of storytelling and was, at last, published as The Halfblood War in 2017. Meanwhile, my second novel, A Borrowed Hell (a portal/journey story), ended up being my debut novel in 2016. And then, finally, I tackled the set of three myth-based novels I’d long been wanting to write. Unsurprisingly, I began with Greek mythology.

My formative reading had been filled with Tolkien, Vonnegut, Pat McKillip, Ursula Le Guin, Gene Wolfe and others, but at the time I wrote While the Gods Sleep, I was heavily influenced by China Miéville and Tim Powers. In this book, I wanted to explore my own boundaries of weird fiction, big endings, and gods as characters—in other words, my big idea. What I discovered the hard way was that leaning weird was harder than it looked from the outside: I got my main character into the underworld with some fun weirdness along the way but then had to maintain the weird while worldbuilding an entire underworld.

But the biggest hitch to my big idea came when I discovered that writing an ordinary mortal into trouble with a pantheon of gods and demigods had been the easy part. Writing him out of it was the real challenge. My “messy middle” (as every author I’ve known encounters somewhere between that inspired beginning and the ending you’re working toward) was starting to look more like quicksand. It was suddenly very clear to me why the “chosen one” trope was so popular—at least you have one card up your sleeve to help your character win.

I persisted, though, and fortunately managed to surprise myself with plot twists that I never saw coming until I got there. When all was said and done, I like to think I ended up with a dark-fantasy thriller that does indeed lean weird and keeps picking up steam right into the final pages. Best of all, I finally satisfied my years-long goal to write a book that borrows from Greek mythology while getting to tell my own unique story.


While the Gods Sleep: Amazon|Amazon UK|Barnes & Noble|Kobo

Author socials: Website|Instagram|Facebook|Bluesky

[syndicated profile] scalziwhatever_feed

Posted by John Scalzi

Specifically, it’s at #9 on the Combined Print and eBook Fiction list, which, if I’m being honest, is higher than I expected, inasmuch as I expected it to be at 14 or 15 if it got onto the list at all (the competition for the NYT list is significant right about now). I am, as the kids do not say, gobsmacked. This is a very good day.

If you pre-ordered or bought the book in the first week, thank you. You’re my favorite. And if you haven’t gotten it yet, it’s not too late! Copies are still available!

And to celebrate: I’m gonna have some pizza. And then go to sleep. I’m still on tour and have to get up in the morning.

— JS

[syndicated profile] scalziwhatever_feed

Posted by John Scalzi

The parking lot isn’t for the hotel, and it isn’t even really a parking lot, it’s a car wash. Also, there’s this big damn pine in my view. West Virginia is going hard, y’all.

Tonight: Four Seasons Books at 6 pm, which is an hour earlier than I usually start. You should be on your way now!

Tomorrow: Richmond, Virginia! At Fountain Bookstore! Also at 6pm! The Virginias do things early, I suppose.

— JS

The Big Idea: Cadwell Turnbull

Sep. 24th, 2025 03:05 pm
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Posted by Athena Scalzi

Reality can oftentimes be stranger than fiction. Author Cadwell Turnbull speculates on this funny thing we call reality in the Big Idea for his newest novel, A Ruin, Great and Free. Follow along to see how our reality helped shape the world for the final novel in the Convergence saga.

CADWELL TURNBULL:

Back in the early months of 2020, a lot was happening. In January, the then-Trump administration killed an Iranian general in a drone strike, an “arbitrary killing” that, according to the United Nations, violated international law. At the same time, cases of infections from a new virus were being reported across the globe.

In November 2019, I read Station Eleven by Emily St. John Mandel just as the first cases of coronavirus were being reported. Station Eleven told the story of several characters before, during, and after an influenza pandemic which kills most of the world’s population.

I promptly began talking about the coronavirus cases with my friends. Even now, I recognize that what I’d been reading was guiding much of my anxiety on the matter. I possessed no special knowledge.

But then the moment came where it was clear to everyone that this thing was indeed happening. Or it should have been clear to everyone. Instead, there was a split in our collective sense of what was happening—a fracture. As people died, I witnessed personally a very stubborn denialism take hold. As city streets lay empty and hospitals filled beyond capacity, people began protesting the need for lockdowns and other such precautions. The pandemic became a partisan issue. But even on the personal level, among friends and family with politics all across the spectrum, I witnessed a range in how the pandemic was being perceived.

I was surprised and not surprised. The effects of the pandemic were terrifying, but we all weren’t terrified by the same things. It also confirmed in a very dramatic way a speculative hunch I’d embedded into the project I was working on at the time. 

Almost a full year before the pandemic I’d created a fictional fracture of my own. It was at the heart of No Gods, No Monsters, the first in what would become the Convergence Saga. In the novel, evidence of the existence of monsters from folklore and popular culture is released to the public. Almost immediately this evidence—two videos: an officer-involved shooting of a werewolf and an act of protest from said werewolf’s wolfpack—is seemingly erased from everywhere all at once.

With the loss of the evidence, the collective sense of reality splits. Some people become obsessed with the videos and their disappearance. But other people—most people, in fact—self-delete the event from their own minds. The reasons for both responses were the same. A terrifying truth can take over a person’s mind or cause a person to look away completely. In the series, I was tying this fracture idea to a bigger one, a question at the center of reality itself, a real-world counterpart to a cosmic puzzle.

As I was drafting No Gods, No Monsters, I struggled a bit with the believability of this fracture idea. Peers that workshopped early parts of the novel questioned it. I also kept questioning the idea. Right up until the pandemic forced the world into lockdown and some people still didn’t believe it was happening.

I started No Gods, No Monsters in late 2018 and it was released in 2021. The following book, We Are the Crisis, was released in 2023. And the final book, A Ruin, Great and Free, was released on September 16th. My work on this series has spanned a very interesting time in our American (and global) politics. 

Sometimes basic facts of our current life feel so strange to me that I wonder if we’re all trapped in some collective nightmare. I’m constantly reminded of The Lathe of Heaven by Ursula K. Le Guin, where protagonist George Orr has dreams that can alter reality itself. This personal quirk is then amplified by use of a machine called the Augmentor, weaponised by Dr. William Haber, a psychiatrist with goals of remaking the world into a utopia. Naturally that doesn’t quite work out, as Le Guin masterfully shows us the disastrous results of Haber’s hubris.

The Lathe of Heaven envisions for us what it might look like if a subjective ideal is imposed on the objective world. If one person can determine (either by accident or manipulation) what the world looks like, what is the cost? 

I think we know this speculative premise has real-world counterparts. As individuals and collectives, we are constantly remaking reality according to our ideals.

In the Convergence Saga a shadowy kabal tries to manipulate the world for its own purposes. Like in The Lathe of Heaven there is a supernatural reality-warping effect at work in the story’s world, but there’s also a very natural one. Ideas have a heat to them. They can be felt, drawing us in. Ideas can make us ignore things right in front of us. They can also make us imagine things that aren’t there. And once we’re under the spell of certain ideas, it can be difficult to root them out. An idea embeds itself.

Like a lot of people right now I’ve been obsessively watching the news. I find it frustrating how much of the news is political commentary. I am even more frustrated by the reality-warping effectiveness of bad-faith commentators on our current reality. Once again I find myself catastrophizing about a future I don’t want to live in, but we seem to be slipping toward. At the same time, I see the split happening. We can’t agree on what we’re seeing.

If the Convergence Saga is about the questioning of reality, it is also about expanding empathy. Trying to find healing for a fractured world. Trying to mend what has been broken. The story does not neatly provide an answer—because I personally don’t have one—but it shows an earnest attempt by the characters to find a way out of the political upheaval they’re facing. Much of that work is in finding new communities, forming new coalitions, and building solidarity networks for economic support and mutual aid. Occasionally, these coalitions of monsters, humans, and cosmic beings have to do battle against nefarious organizations and supremacist groups.

Turns out that in our world there are more people that want a fascist, white supremacist future than we thought. And we’re already glimpsing what that future could look like.

Fortunately, reality remains a collective act. And they’re not the only ones out here. We also get a say in what the future looks like. 


A Ruin, Great and Free: Amazon|Barnes & Noble|Bookshop|Powell’s

Author socials: Website|Instagram|Bluesky

Read an excerpt here. 

The Big Idea: Delilah S. Dawson

Sep. 23rd, 2025 01:17 am
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Posted by Athena Scalzi

Writing a book is like riding a bike: once you’ve got it down, you never have to learn how to do it again, right? Such may not be the case. In her Big Idea, author Delilah S. Dawson delves into the writing process and learning curves she faced, even after numerous novels. Follow along to see what challenges and changes came with creating her newest book, Thor & Loki: Epic Tales From Marvel Mythology.

DELILAH S. DAWSON:

The Big Idea: Sometimes Your Process Changes, and That’s Okay

I’ve written over forty books and had thirty-two of them—the good ones—published, so you’d think that I know how to write a book.

As it turns out, you would be wrong.

At least partially.

Because the thing about writing books is that just because you know how to write one book does not mean you know how to write another. Books are like fingerprints in that each one is wholly individual, unique in all the world. Books are unlike fingerprints in that they cannot be easily compared to koala bears. 

Except—

Well, koala bears are notoriously single-minded and stubborn, and writers can be like that, too. Hopefully, I will convince you otherwise.

When I write a novel, I write the story straight through from the first page to the last page. I don’t jump around chapters, reread extensively, or edit as I go. I think of it like carrying hot laundry from the dryer to the bed: you wrap it in your arms and run, and if you drop a sock, you leave it behind because we all know that one hasty squat can topple the entire basket. I do multiple revisions, lest you think I am publishing the equivalent of inside-out, cat-hair covered socks, but that initial run from page one to THE END is the skeleton on which the meat of my story rests.

This method worked for thirty-one books, and then suddenly, it didn’t.

When I was invited to write Thor and Loki: Epic Tales from Marvel Mythology, I quickly realized that my Hot Laundry Process could not serve me. Instead of weaving a story from my own brain and heart, creating a new world out of the threads crafted from my creative spinnerets, I was tasked with taking an existing mythology and retelling it for a modern audience through the well-known voices of Marvel’s Thor and Loki. The Norse myths spring from an oral tradition, and there is no one, total, mutually accepted, complete source to study. Not only that, but there is no one specific Thor or Loki. Like the myths that bore them, these two ancient gods have been depicted in multiple movies, TV shows, and comics, and each individual fan has a favorite Thor or Loki, a platonic ideal of the character that they hold in their heart.

Thus, my task was to take two well-known, beloved characters that have existed simultaneously as gods and goofs for the past twelve hundred or more years, distill them into a fine mead, and then syphon that golden sauce through the sieve of collective comic memory and Icelandic poetry.

Can’t believe I’m saying this, but it might be easier to do laundry.

I don’t generally suffer from Writer’s Block, not only because I have deadlines and a mortgage, but also because I trust in my process. And yet you must believe me when I tell you that I came to a standstill on this project and began to dread it. When I invent a world, I become its god, and every decision I make solidifies the character and story. In that realm, I am always correct, and reality conforms to my whims. But in the realm of Thor, Loki, and their shared mythology, I had to instead become the bard.

In the Norse tradition, the bard is the keeper of story and memory, a vaunted figure; Odin is considered the god of poetry, and one of the myths that has lasted through the centuries tells the tale of the first bard and the mead of poetry. The bard’s job is not to spin tales from the ether, but rather to pass down the stories from one generation to the next, to remember them in a time with no written record. Each bard carried the myths and told them in a unique fashion, reminding the tavern’s occupants how to live and worship while entertaining them.

Once I realized that my job was to take up the bard’s tankard, suddenly the book actually began to flow. Instead of telling my own story, I broke the project down into chapters, and each day, my task was to look at a particular myth from several different sources and spin my own version. Or, more accurately, to channel the voices of Loki and Thor as they each compete to woo the Avengers to their side using all the bard’s techniques of enchantment and, well, propaganda. Adding in a few famous Thor and Loki tales from the Marvel comics was even more of a challenge. From The First Avenger in 1963 to Thor, Frog of Thunder and the more recent Loki for President, it was a delight to create my own poetry from famous stories never before told in prose.

For the first time, my chapters jumped around. I wasn’t carrying laundry from point A to point B; I was putting a puzzle together. Unlike all my other books, the Norse myths don’t have a specific chronology. Although there is a very distinct beginning, which involves a very large cow licking a giant, and a very distinct ending, known as Ragnarok, what happens in between is fluid. As Loki tells the Avengers, the myths exist to entertain and teach, not help you draw up an accurate timeline. Part of the bard’s art is selecting just the right story to tell. 

Now, this is not the first time I’ve had to completely change my process. Writing my first novella, also known as ‘a book that is only 40% of a book’, had quite the learning curve, and I did such a bad job writing my first comic that I burst out crying at a hotel buffet during a Santa Claus convention. I’ve been writing professionally since 2012, and I’ve learned to always trust my process, and when that process stops working, to find a new process. There is no one way to write a book. A writer’s process may change over decades, years, projects, or chapters. Whatever gets the book done? That’s your process.

If you don’t have a process yet, I highly recommend the book Story Genius by Lisa Cron, which teaches you to outline by marrying character arc to plot using the third rail of emotion. And if you already have a process, maybe don’t cling to it too tightly. Don’t be that koala that will only eat eucalyptus if it’s on the branch. Writing is about fluidity and play and experimentation. As Charles De Mar says in Better Off Dead: Go that way, really fast. If something gets in your way, turn.


Thor & Loki: Amazon|Barnes & Noble|Bookshop|Powell’s

Author socials: Website|Instagram|Bluesky

Interim update

Sep. 23rd, 2025 12:15 pm
[syndicated profile] charlie_stross_diary_feed

So, in the past month I've been stabbed in the right eye, successfully, at the local ophthalmology hospital.

Cataract surgery is interesting: bright lights, mask over the rest of your face, powerful local anaesthesia, constant flow of irrigation— they practically operate underwater. Afterwards there's a four week course of eye drops (corticosteroids for inflammation, and a two week course of an NSAID for any residual ache). I'm now long-sighted in my right eye, which is quite an experience, and it's recovered. And my colour vision in the right eye is notably improved, enough that my preferred screen brightness level for my left eye is painful to the right.

Drawbacks: firstly, my right eye has extensive peripheral retinopathy—I was half-blind in it before I developed the cataracts—and secondly, the op altered my prescription significantly enough that I can't read with it. I need to wait a month after I've had the second eye operation before I can go back to my regular ophthalmologist to be checked out and get a new set of prescription glasses. As I spent about 60 hours a week either reading or writing, I've been spending a lot of time with my right eye screwed shut (eye patches are uncomfortable). And I'm pretty sure my writing/reading is going to be a dumpster fire for about six weeks after the second eye is operated on. (New specs take a couple of weeks to come through from the factory.) I'll try cheap reading glasses in the mean time but I'm not optimistic: I am incapable of absorbing text through my ears (audiobooks and podcasts simply don't work for me—I zone out within seconds) and I can't write fiction using speech-to-text either (the cadences of speech are inimical to prose, even before we get into my more-extensive-than-normal vocabulary or use of confusing-to-robots neologisms).

In the meantime ...

I finished the first draft of Starter Pack at 116,500 words: it's with my agent. It is not finished and it is not sold—it definitely needs edits before it goes to any editors—but at least it is A Thing, with a beginning, a middle, and an end.

My next job (after some tedious business admin) is to pick up Ghost Engine and finish that, too: I've got about 20,000 words to go. If I'm not interrupted by surgery, it'll be done by the end of the year, but surgery will probably add a couple of months of delays. Then that, too, goes back to my agent—then hopefully to the UK editor who has been waiting patiently for it for a decade now, and then to find a US publisher. I must confess to some trepidation: for the first time in about two decades I am out of contract (except for the UK edition of GE) and the two big-ass series are finished—after The Regicide Report comes out next January 27th there's nothing on the horizon except for these two books set in an entirely new setting which is drastically different to anything I've done before. Essentially I've invested about 2-3 years' work on a huge gamble: and I won't even know if it's paid off before early 2027.

It's not a totally stupid gamble, though. I began Ghost Engine in 2015, when everyone was assuring me that space opera was going to be the next big thing: and space opera is still the next big thing, insofar as there's going to be a huge and ongoing market for raw escapism that lets people switch off from the world-as-it-is for a few hours. The Laundry Files was in trouble: who needs to escape into a grimdark alternate present where our politics has been taken over by Lovecraftian horrors now?

Indeed, you may have noticed a lack of blog entries talking about the future this year. It's because the future's so grim I need a floodlight to pick out any signs of hope. There is a truism that with authoritarians and fascists, every accusation they make is a confession—either a confession of something they've done, or of something they want to do. (They can't comprehend the possibility that not everybody shares their outlook and desires, to they attribute their own motivations to their opponents.) Well, for many decades now the far right have been foaming about a vast "international communist conspiracy", and what seems to be surfacing this decade is actually a vast international far-right conspiracy: from Trump and MAGA in the USA to Farage and Reform in the UK, to Orban's Fidesz in Hungary, to Putin in Russia and Erdogan in Turkey and Modi's Hindutva nationalists in India and Xi's increasingly authoritarian clamp-down in China, all the fascist insects have emerged from the woodwork at the same time. It's global.

I can discern some faint outlines in the darkness. Fascism is a reaction to uncertainty and downward spiraling living standards, especially among the middle classes. Over the past few decades globalisation of trade has concentrated wealth in a very small number of immensely rich hands, and the middle classes are being squeezed hard. At the same time, the hyper-rich feel themselves to be embattled and besieged. Those of them who own social media networks and newspapers and TV and radio channels are increasingly turning them into strident far-right propaganda networks, because historically fascist regimes have relied on an alliance of rich industrialists combined with the angry poor, who can be aimed at an identifiable enemy.

A big threat to the hyper-rich currently is the end of Moore's Law. Continuous improvements in semiconductor performance began to taper off after 2002 or thereabouts, and are now almost over. The tech sector is no longer actually producing significantly improved products each year: instead, it's trying to produce significantly improved revenue by parasitizing its consumers. ("Enshittification" as Cory Doctorow named it: I prefer to call the broader picture "crapitalism".) This means that it's really hard to invest for a guaranteed return on investment these days.

To make matters worse, we're entering an energy cost deflation cycle. Renewables have definitively won: last year it became cheaper to buy and add new photovoltaic panels to the grid in India than it was to mine coal from existing mines to burn in existing power stations. China, with its pivot to electric vehicles, is decarbonizing fast enough to have already passed its net zero goals for 2030: we have probably already passed peak demand for oil. PV panels are not only dirt cheap by the recent standards of 2015: they're still getting cheaper and they can be rolled out everywhere. It turns out that many agricultural crops benefit from shade: ground-dwellers coexist happily with PV panels on overhead stands, and farm animals also like to be able to get out of the sun. (This isn't the case for maize and beef, but consider root vegetables, brassicae, and sheep ...)

The oil and coal industries have tens of trillions of dollars of assets stranded underground, in the shape of fossil fuel deposits that are slightly too expensive to exploit commercially at this time. The historic bet was that these assets could be dug up and burned later, given that demand appeared to be a permanent feature of our industrial landscape. But demand is now falling, and sooner or late their owners are going to have to write off those assets because they've been overtaken by renewables. (Some oil is still going to be needed for a very long time—for plastics and the chemical industries—but it's a fraction of that which is burned for power, heating, and transport.)

We can see the same dynamic in miniature in the other current investment bubble, "AI data centres". It's not AI (it is, at best, deep learning) and it's being hyped and sold for utterly inappropriate purposes. This is in service to propping up the share prices of NVidia (the GPU manufacturer), OpenAI and Anthropic (neither of whom have a clear path to eventual profitability: they're the tech bubble du jour—call it dot-com 3.0) and also propping up the commercial real estate market and ongoing demand for fossil fuels. COVID19 and work from home trashed demand for large office space: data centres offer to replace this. AI data centres are also hugely energy-inefficient, which keeps those old fossil fuel plants burning.

So there's a perfect storm coming, and the people with the money are running scared, and to deal with it they're pushing bizarre, counter-reality policies: imposing tariffs on imported electric cars and solar panels, promoting conspiracy theories, selling the public on the idea that true artificial intelligence is just around the corner, and promoting hate (because it's a great distraction).

I think there might be a better future past all of this, but I don't think I'll be around to see it: it's at least a decade away (possibly 5-7 decades if we're collectively very unlucky). In the meantime our countries are being overrun by vicious xenophobes who hate everyone who doesn't conform to their desire for industrial feudalism.

Obviously pushing back against the fascists is important. Equally obviously, you can't push back if you're dead. I'm over 60 and not in great health so I'm going to leave the protests to the young: instead, I'm going to focus on personal survival and telling hopeful stories.

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Posted by Athena Scalzi

If my last post over Zaynab Issa’s cookbook didn’t entice you to buy it, this one might just change your mind. After cooking a few things from, and loving, Third Culture Cooking, I decided I simply must have a dinner party using nothing but recipes from Issa’s book.

It probably would’ve been easier to make something I had already made before, but I decided to do entirely new recipes for the party and just have faith that they would turn out well.

I’m happy to report that everything turned out so much better than I could have even hoped for, and my dinner party was a total success! So let’s talk about what I made, what it cost me, how long it took, and how everything tasted.

I spent probably over an hour initially going through the book deciding on everything I wanted to make. I finally decided on Spiced Chickpea Soup, Calabrian Chili Chicken with Caper Raita, Coconutty Corn, Shawarma Spiced Carrots, Chocolate Cake with Chai Buttercream, Ginger Lime Spritz, and Slightly Salty Mango Lassi.

First thing first was to place a big ol’ Kroger pick up order, because searching up everything I needed on their website and adding it to my cart was way easier than wandering all over the actual store with a broken-wheel-cart and spending time searching the shelves and missing what was right in front of my face.

I would say, roughly, I spent $200 on ingredients. A big part of this was that I already had every single spice I needed on hand, like turmeric, coriander, cumin, and cardamom, so that certainly saved me a large chunk of change. Another factor was that there was very little meat I needed to buy, and the meat was just chicken thighs, which are pretty cheap. I wasn’t cooking nice cuts of steaks or salmon, so my protein cost was very low. So much of what I needed to buy was produce.

Besides produce, I had to buy things like coconut milk, whole milk plain yogurt, feta, labneh, just the kind of stuff I don’t normally have on hand. In fact, this was my first time buying labneh, and I was surprised I even found it. My local Kroger had literally one brand, and like, two tubs of it. So I got lucky.

The hardest thing to find, no joke, was the Calabrian chilis. I had to go to Meijer for them, and even then they only had one type. I was supposed to buy Calabrian chili paste for the recipe, but they only had whole Calabrian chilis, so I just made do.

So, with everything bought, it was time to get cooking. I cooked, nonstop, for seven hours. Here’s how I tackled everything.

Starting at 9am, I made the yogurt and Calabrian chili marinade for the chicken thighs, and put them in the fridge to marinate while I cooked everything else. Secondly, I made the soup, because I knew that could just be reheated on the stove top easily when it came time to serve. Next, I mixed up the cake batter and baked the two cakes so they’d have plenty of time to cool before applying the frosting. Following that, I prepped the carrots to be roasted and also mixed up the herb salad that’s meant to go on top when served.

While the carrots roasted, I prepped the sweet potatoes to bake at the same time as the chicken, and made up the caper raita and quick-pickled cucumbers that accompany it. In the chicken went after the carrots came out, and while the chicken was baking I made the corn on the stove top. Finally, I made the syrup for the ginger lime spritz, and while that was cooling I whipped up the chai cream for the buttercream, and made the frosting.

My guests arrived at 4pm, which is exactly when the chicken came out, the soup was reheated, the spritz had been mixed up, and everything was ready to serve all at once.

While everything was definitely a lot to make, let’s talk about how difficult each dish was individually.

The chicken and sweet potatoes were honestly very low effort, despite being the main dish. The chicken can marinate anywhere from 15 minutes to overnight, so even if you’re in a rush to get it in the oven you’ll be all right. It helps that the chicken thighs bake right on top of the cut up sweet potatoes, so it’s sort of like a sheet-pan dinner. The quick-pickled cucumbers are literally so easy, you just slice up some mini seedless cucumbers nice and thin and put them in a bowl with lemon juice and salt. The caper raita is pretty simple too, you just mix the capers with the feta, yogurt, and some more cucumber and you’ve got yourself a delicious, creamy accompaniment to the chicken.

For the soup, you just cut up some onion, carrot, and garlic and cook it for a little bit until it’s ready to have the spices, chickpeas, and chicken broth added. Then you blend it up with an immersion blender and it’s ready to go! Doesn’t get much easier than that! (Not counting the fact that my eyes hurt so bad from cutting the onion I had to walk away for a solid ten minutes while tears streamed out of my eyes.)

The carrots were a breeze, you just mix a ton of spices into olive oil, cut the carrots in half lengthwise, cover them in the oil and roast ’em up. The herb salad that went on top of the carrots was also simple but time consuming from the produce you have to cut up for it. Red onion, dates, jalapenos, and herbs mixed with lemon juice and olive oil. The jalapenos were definitely the biggest pain, since removing the seeds is a task that requires patience. Also my fingertips burned for so long after handling the jalapenos.

The cake seriously could not have been easier, it’s just completely standard flour, cocoa powder, sugar, eggs, etc., mix it on up in a stand mixer, pour into cake pans and bake. Now, the chai cream on the other hand quickly became a true labor of love. While making the cream itself wasn’t too much trouble (just adding a bunch of spices and vanilla to heavy cream and heating it up), the real challenge came when it was time to strain it through a fine mesh sieve. The loose black tea and fresh grated ginger proved to be a huge obstacle to getting the liquid through the straining process. It took so much time to get as much cream as I could through the fine mesh. It really was an exercise in patience.

But, after I had the cream separated from the solids, the buttercream was also very easy. Just three sticks of butter, six cups of powdered sugar, and all the chai cream to make the absolute most delicious frosting I’ve ever tasted.

The corn was another easy dish, mostly because it uses bagged frozen corn. You just add the corn to a skillet and add the coconut milk and spices and you’re ready to go once it’s heated through and thickened up just a tad. Legit the easiest thing I made all day.

For the ginger spritz, the ginger syrup is homemade, and uses an absurd amount of fresh ginger for it. This part was time-consuming because I had to peel like half a pound of ginger and dice it up to cook it in the sugar and water, but letting it cook was super easy. You just have to let the sugar dissolve and the ginger flavor infuse nice and good before letting it cool and straining it. I proceeded to put the syrup in a pitcher and add a big ol’ bottle of sparkling water and ice. I completely forgot the lime, to be honest. But it was fine, okay! It was just really good homemade ginger ale pretty much.

On that note, I know this whole time you’ve been thinking to yourself, what about the mango lassi?! Well, I’m glad you asked, because it was inevitable that I would forget ONE ingredient. And it was the whole milk for the mango lassi. So while I had the mango, the honey, and the plain whole milk yogurt, it was too little too late.

Okay, so buying all the ingredients, making everything, yada yada. How did it all taste?!

Well, I’m not usually one to toot my own horn too much (especially when it comes to food, as I often think there’s multiple things I could’ve done better), but this food was literally the bomb dot com. Everything was so flavorful and fresh and straight up delicious.

The ginger spritz was spicy and had quite a bite from the ginger, but was perfectly sweetened and bubbly.

The chicken was cooked perfectly, and the sweet potatoes were soft and nicely seasoned. The caper raita was creamy and savory, and the quick-pickled cucumbers were bright and acidic to cut through that richness.

The carrots were roasted to the perfect texture, wildly flavorful from all the different spices, and the herb salad was incredibly bright and herbaceous, which paired perfectly with the creamy labneh. Plus, I especially loved the dates in the herb salad for just a touch of sweetness. It was extremely balanced.

The corn was honestly the most subtle dish, with a very mild flavor. It mostly just tasted like sweet corn in a slightly sweet, creamy sauce. Part of this is surely due to the fact I removed the seeds from the jalapenos that cooked in the corn, so if you want more flavor and heat in this dish feel free to leave the seeds in to infuse more spicy-ness.

The chickpea soup was pretty good, too, but definitely pretty mild in flavor compared to some of the other dishes. Even though there’s no dairy in this soup, it actually turns out pretty creamy from blending everything up. The chickpeas have a lot of starch in them that thicken the soup up really nicely.

The soup was warm and comforting, but if you really want it to be the best it can be, take Issa’s advice of adding fresh lemon juice, cilantro, and chili crisp to your bowl. I had never had chili crisp before this soup, and I decided to try Fly By Jing’s chili crisp, as I had heard good things and they’re partnered with another brand I like (Fishwife). Turns out their chili crisp is seriously amazing with just the right amount of heat, and I definitely need to try their collab product with Fishwife now. If I get sick anytime soon, I’m definitely making myself a bowl of this soup loaded with lemon juice and cilantro.

Finally, the cake. I absolutely loved this cake. The olive oil and extra egg yolks make it so moist and dense, and it has a great chocolate flavor from the full cup of Dutch-process cocoa powder. The buttercream is truly decadent. So rich and buttery, sweet but wonderfully spiced from the chai mixture. I definitely recommend using a high-quality butter for your buttercream, as it’s literally in the name (I use Kerrygold). This cake is sure to be a crowd pleasure, because who doesn’t love chocolate cake and luscious buttercream?! My grandma even tried some and said it was the best cake she’s ever had, so yeah.

Everything I made was just the right amount to serve my four friends and myself. Except there was a TON of cake leftover, even though I cut them huge slices that they had to take home.

I highly recommend making everything I made, there were zero misses. I’m so glad I tried out some new recipes and was able to have my friends over to enjoy them with me. It was a nice night, even if my body was seriously sore afterwards and there was a mountain of dishes waiting for me at the end.

I didn’t take many pictures because I was so busy cooking and serving, but here’s just a couple I got.

The chicken and sweet potatoes with the caper raita:

Five chicken thighs spread out around on a green, oval platter, atop cut up sweet potatoes. There's a dish of caper raita in the middle of the platter.

I know it looks like the chicken thighs are burnt but they’re just uh.. extra crispy. Not burnt! Certainly just blackened, like, in the good way.

Here’s the carrots on top of the labneh with the herb salad on top:

A wide and shallow bowl holding the labneh, carrots, and herb salad. The herb salad covers most of the carrots, with thinly sliced red onion and tons of green herbs visible.

And half the cake!

Half of the cake, with a frosting covered knife next to it.

And of course, the aforementioned mountain of dishes:

A huge, overwhelming pile of dishes filling the sink and surrounding counter space.

Funny thing is, I did dishes constantly in between everything I made. And I still ended up with this after everything was said and done. Good thing I have a decent dishwasher!

So, there you have it! A soup, main, two sides, dessert, and beverage all from Third Culture Cooking. Even though it was a lot of cooking and a lot of cleaning up, I loved making everything and I’m so happy everything turned out great!

Which dish sounds the best to you? Would you have decked out your soup with chili crisp? Have you tried chai buttercream before? Let me know in the comments, be sure to check out Zaynab Issa on Instagram, and have a great day!

-AMS

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Posted by John Scalzi

Kansas City near downtown is an interestingly medium-density sort of place: Lots of multi-story-but-not-too-big apartment buildings, and a lot of greenery. I like it.

Tonight! 7pm at the Unity Temple, sponsored by Rainy Day books. I think you can still get tickets!

Tomorrow! I’m back in my home state of Ohio, at the Parma branch of the Cuyahoga County Public Library, with the even also beginning at 7pm!

Please come see me at one (but probably realistically not both) of these events. It would be lovely to see you.

— JS

The Big Idea: James Kakalios

Sep. 22nd, 2025 03:06 pm
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Posted by Athena Scalzi

Look, up in the sky! It’s not a bird, or a plane, it’s author James Kakalios soaring in with a brand new book. Follow along in the Big Idea for his newest release, The Physics of Superheroes Goes Hollywood, to see just how scientific some of your favorite movies can get.

JAMES KAKALIOS:

My first book The Physics of Superheroes, was published in 2005 and used examples from print comic books to illustrate physics principles. Three years later, the release of the Iron Man and The Dark Knight films would light the match that ignited the superhero explosion at the multiplex. Now, not a year goes by without the release of several superhero movies and television series. There is little doubt that future historians will refer to the early part of the 21st century as the Golden Age of Geekdom!  

The Big Idea for my new book came a few years ago when I saw a five-year old boy walking with his mother in Antalya, Türkiye. The boy wore a tee shirt with Captain America’s face on the front, a knapsack with the MCU Avengers on his back, and a small, plastic Captain America shield on his right wrist. Captain America. Created in 1941 by Joe Simon and Jack Kirby, two young men just trying to make a living writing and drawing comic books in New York City during the Great Depression, little dreaming that their character would continue to inspire all over the world eighty years later. I realized that the penetration of superheroes into the popular culture was so thorough that, even for those who’ve never read a print comic book, I could use these heroes (and the occasional villain) to explain the physics behind a wide range of phenomena that were left out of my first book.

In the All-New, All-Different The Physics of Superheroes Goes Hollywood I consider concepts and situations in superhero movies and TV shows and examine the real-world physics that underlies these fictional scenarios. While I don’t go to the movies with a pad of paper and a calculator, waiting for my physics-sense to start tingling, I’m nevertheless delighted whenever the characters on the screen, big or small, get their science right. It is just such examples, admittedly cherry-picked, that I discuss in my new book.

In this new book, you, Fearless Reader, will learn the real physics underlying the multiverse (true to its name—there are different interpretations of what “multiverse” means); if there really is a Quantum Realm (yes); why someone the size of an ant can knock someone out with one punch and yet be light-weight enough to ride atop a flying ant (it involves the Higgs boson); whether Superman really could reverse time by flying rapidly about the Earth (yes, by becoming a Tipler cylinder); whether nanotechnology can fabricate and alter Iron Man’s suit (not yet, but maybe soon); whether we can create fibers as strong as Spider-Man’s webbing (actually, scientists have made threads sixty times stronger); whether physicists put the word “quantum” in front of everything (yeah, pretty much); whether we can control devices just by thinking (yes); and the connection between the Infinity Stones and one of the greatest mathematical minds of the twentieth century (hint: she’s not Albert Einstein). This book will confirm what we all have long suspected—they couldn’t put it in a movie if it weren’t true!

With illustrations by acclaimed comic book artist and five-time Eisner Award winner Gene Ha, this book will discuss topics ranging from Artificial Intelligence to quantum computers to why your footprints look dry when walking along a wet shoreline. You’ll learn how semiconductor devices work, how information is transmitted in the brain and why an average increase in the global average temperature a few degrees is such a big deal (and what we can do about it). 

Prepare to get educated in the nerdiest way possible.


The Physics of Superheroes Goes Hollywood: Amazon|Barnes & Noble|Bookshop|Books-A-Million|Powell’s

Author’s socials: Website|Bluesky

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Posted by John Scalzi

It’s just a little before 3pm on a Saturday in Boise, and I’ve fed myself on a Subway Bacon Chicken Ranch sub (with oatmeal raisin cookie), and now I’m going to lie around on a bed in a darkened hotel room, watching YouTube cooking video until my brain is ready for a nice afternoon nap.

These are my unhinged tour habits! The pure licentiousness is the stuff of legend!

Anyway, hello, Boise. I will see you tonight at that most hedonistic of night haunts, the public library.

Tomorrow! Denver! I’ll see you at the Tattered Cover Colfax! 3pm — that’s right, it’s an afternoon event, because it’s Sunday, and we get our iniquity done early on Sunday.

— JS

The Big Idea: William Alexander

Sep. 19th, 2025 09:28 pm
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Posted by Athena Scalzi

You don’t have to fully understand something to enjoy or get value out of it. New York Times bestselling author William Alexander expands this idea to life itself in the Big Idea for his newest novel, Sunward. Read on to see how the world, though sometimes scary and incomprehensible, can also be pretty amazing.

WILLIAM ALEXANDER:

Sunward is space opera about parenting—specifically about parenting robotic kids, and more broadly about parenting kids who are wildly, gloriously, transformatively different from ourselves. 

It started as a short story that I wrote for Sunday Morning Transport, when pandemic parenting was much on my mind. My own kids were stuck at home, quarantined from the world but still trying to learn about it via disembodied classrooms. Their experience of grade school was simultaneously contracting and expanding in ways that I had no frame of reference for—except maybe in science fiction. Home was a spacecraft, isolated in the void. We lived in cramped quarters, bouncing off the walls and staring out the windows, but at least we could communicate instantaneously with every other ship and station. 

This mix of coziness, claustrophobia, catastrophe, and possibility messed with my head. I tried to squeeze the whole mess into a short story. Then the story grew into a novel—albeit a short one—about parenting juvenile bots in a turbulent solar system. 

Science fiction has lots of robotic kids. Some inhabit Pinocchio retellings, others Peter Pan retellings. Some are changelings, embodying old fears alongside newer uncanny valleys. Samuel Butler panicked about mechanical offspring in his 1863 essay “Darwin Among the Machines” (which also predicts eventual war between the machines and humanity). Osamu Tezuka’s beloved Astro Boy broke ground for so much of our science fictional landscape; his 1962 story “Robot Land” includes a robotic uprising set in an amusement park, published eleven years before the movie Westworld

Ted Chiang’s The Lifecycle of Software Objects (which you can find in his second collection Exhalation) critiques the impossible shortcuts that we almost always take in our stories about mechanical people. “Science fiction is filled with artificial beings who, like Athena out of the head of Zeus, spring forth fully formed,” he says in the story notes, “but I don’t believe consciousness actually works that way.” The digients of his novella are infants raised up by the constant attention of caring adults. Intelligent life needs to be nurtured. It takes time. There are no shortcuts. 

As adults we become increasingly skilled at pretending—to ourselves, and to everyone else—that we stand on certainties. Kids know better. They are much more accustomed to moving through worlds that they don’t understand, and don’t yet expect to. They find ways to navigate incomprehension. 

Science fiction can help us remember how to do the same—not necessarily in its literal predictions of the future, or in its warnings and cautionary tales, but in the way SF fosters an intuitive sense that all of this… <flails at the world like an unhappy muppet> …could be wildly, gloriously, transformatively different. 


Sunward: Amazon|Barnes & Noble|Books-A-Million|Bookshop

Author socials: Website|Bluesky

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Posted by John Scalzi

Today’s view not only has a parking lot, but also a freeway onramp! This makes it a high-quality view from a hotel window!

(The room and hotel are pretty nice, just to be clear. Tor does not put me up in murder hotels.)

Tonight: I’m at Mysterious Galaxy in San Diego, 7pm! Be there or be somewhere else, I guess.

Tomorrow: I go all the way to Boise, Idaho, for an event at the Boise Public library (Hillcrest Branch), co-sponsored by Rediscovered Books. Also at 7pm! The event is free but please register at the link so they know you’re coming.

— JS

Hello From Santa Cruz

Sep. 19th, 2025 04:37 am
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Posted by John Scalzi

Forgot to post a “view from a hotel window” view today, but this interesting contraption was right down the street from me, so I thought you might like it instead. Tonight’s event was lovely and tomorrow I will be in San Diego, at Mysterious Galaxy bookstore at 7pm. You should come by and say hello to me there.

— JS

The Big Idea: Dan Rice

Sep. 18th, 2025 04:34 pm
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Posted by Athena Scalzi

What’s scarier, a haunted school or lifelong trauma? Spooky season is upon us and author Dan Rice has brought the ghost stories with his newest book, Phantom Algebra. Follow along in his Big Idea to see how ghastly high school can really be.

DAN RICE:

While writing Phantom Algebra, I encountered a challenge I had never faced before. The setting is a shared universe, specifically the fictitious town of Pinedale, North Carolina, located approximately fifty miles or so from Raleigh. The action needed to center around the berg’s haunted high school, Pinedale High.

I wanted the protagonist, Zuri, to be an outsider —the new kid at school —and not someone who believes in ghosts. But how to get her to Pinedale? I could have had a parent land a job in the city and have the story open with the family moving into a new home or Zuri stepping onto the school grounds for the first time. I don’t know…I felt that had been done before and wanted to do something a little different. 

I settled on the horror trope of a traumatic past. Zuri and her mother are on the run, have been for years, from Big Jake: estranged father, abusive husband, former boxer, and full-time gangland enforcer. This leads them to Pinedale after Zuri coldcocks her current high school’s star quarterback, ending his attempt to sexually assault her.

Despite the trauma of watching Big Jake nearly beat her mother to death, Zuri is a fighter like him, dreams of being a world champion, and remembers fondly learning to punch, kick, and grapple under his tutelage. Zuri can’t escape the past because every time she follows her first instinct to solve her problems with her fists, she perpetuates her family’s violent legacy. Isn’t that true of all of us? We can never escape the past because it is carried within us. The best we can do is to learn to cope healthily.

At Pinedale High, Zuri encounters challenging academics, especially mathematics, and a student body that believes the school is haunted. She doesn’t believe this for an instant, only giving credence to what she can beat into submission. When circumstances prove she can no longer deny the ghostly world, Zuri is presented with a problem as gnarly as an algebraic equation. How can she battle bullying poltergeists she can’t see or strike?

Zuri navigates Pinedale with the aid of new friends, fellow outcasts like herself, and eventually bonds with a tween spirit haunted by trauma she cannot escape even in death. Freeing the spirit from her abuser means unearthing Pinedale’s celebrated founding father’s legacy of filicide and satanic magic. Many of the town’s inhabitants haven’t an inkling that Pinedale’s foundation is awash in the blood of an innocent, but they will suffer for their communal past unless Zuri and her friends can face down monsters living and dead.

In the end, I found that Pinedale High being a shared story universe didn’t limit my storytelling. By leveraging the character-centric horror trope of past trauma, I told Zuri’s unique story while remaining within the bounds of Pinedale, the high school, the nearby haunted forest, and the handful of shared characters that give the series continuity.


Phantom Algebra: Amazon|Barnes & Noble|IndieBound|iBooks

Author socials: Website|Bluesky

Read an excerpt

A Check-Up For Saja

Sep. 17th, 2025 06:35 pm
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Posted by Athena Scalzi

I know, I know, you’re probably all terribly sick and tired of seeing our super adorable new kitten Saja, but I’m going to make you look at him again.

Saja, laying in a lap, looking at the camera and being oh so adorable.

This little guy has a vet appointment today; a follow-up to his previous one when I took all three of the kittens in for shots and whatnot. This is just a second round of the necessary shots, and we’re going to see if he’s old enough to get fixed yet! So that may be scheduled, soon, as well.

I’m so thankful that Saja (and the other two kittens) were relatively healthy and that everyone is doing amazing now. It’s truly so lucky that none of them had serious health concerns or feline leukemia or anything like that.

Having Saja around has been absolutely amazing. It’s hard to express how much I love him. I don’t know if it’s because I rescued him off the street or what, but I am so attached to this baby, and I have been since I first saw him. He means so much to me, and my heart feels so full when I look at him. Cuddling him, seeing him play and be a kitten, and just seeing him be alive and well is so incredible.

I’m so excited to know he’ll be in my life for many years to come.

-AMS

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Posted by John Scalzi

My hotel room in Spokane is in fact really nice. The view? Maybe less so.

Tonight! Spokane! I’ll be at Auntie’s Bookstore at 7pm. I’ll read stuff and answer questions and sign books, mostly in that order!

Tomorrow! I’m at Bookshop Santa Cruz, also at 7pm! More reading! And answers! And signing! Fun!

— JS

The Shattering Peace is Out!

Sep. 16th, 2025 01:43 pm
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Posted by John Scalzi

Today is the Day! The Shattering Peace, my 19th novel, the seventh book in the Old Man’s War series, and my second novel of the 2025, is finally out in North America in print, ebook and audio (UK, you have two more days to wait for print/ebook. Be strong). It’s received rave reviews in the trades, including receiving starred reviews from Kirkus and Library Journal, and the general consensus so far is that it’s an excellent return to the Old Man’s War series. This makes me happy.

It’s important for me to note that while this is the seventh book in the series, it’s designed to be one that people who have not read the series before can get into. It’s a standalone book (so far) in the universe, and everything readers need to know to enjoy the story is laid out in the first couple of chapters. Newcomers won’t get lost, I promise. For the people who have read previous books in the series, you’ll find some old friends here, as well making some new ones.

You will find The Shattering Peace in literally every bookstore, online and offline, that carries science fiction. Remember also that for the next two weeks I am also on a book tour here in the US; come see if I’ll be near to where you are. Also! If you desire a signed book but my tour dates are not near you, remember you can call any of the bookstores where I’ll be on tour and ask them to have me sign it and then ship it to you. We’ll both be happy to do that. Subterranean Press also has signed copies available, and if you are outside the US, they ship internationally.

I’m very happy with this book and its story and I’m so thrilled that it’s finally out in the world for you all to enjoy. Welcome back to the Old Man’s War universe, and who knows? If enough of you like this one, maybe I’ll write another.

— JS

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Posted by John Scalzi

This hotel has given me my own patio, and look! I’ve also updated the operating system on my Mac! Truly, this is book tour is off to an auspicious start. It is also currently 102 degrees, but only 98 degrees in the shade, so that’s something, I suppose.

Tonight! I’m at the Poisoned Pen bookstore here in Scottsdale, and I’ll start doing my thing tonight at 7pm. If you’re in or near Scottsdale and Phoenix, please come say hello to me. I would love to see you.

Tomorrow! I’ll be at Third Place Books in Lake Forest Park, Washington (that’s just north of Seattle). That will also be at 7pm! Come on down.

Okay, now I’m going back into the air conditioning .

— JS

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